Bottesini’s Tarantella in A minor lasts anywhere between about five and six minutes – Bogulsaw Furtok is one of the fastest at 5’01, but most. Giovanni Bottesini: Tarantella in A-, for double-bass and piano – Play streams in full or download MP3 from Classical Archives (), the. Buy Bottesini: Tarantella (Double Bass & Piano) by Giovanni Bottesini (ISBN: ) from Amazon’s Book Store. Everyday low prices and free delivery.

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Shortly before his death, in he was appointed director of Parma Conservatory on Verdi’s recommendation. In other projects Wikimedia Commons. In he made his first appearance in England, playing double bass solos at one of the Musical Union concerts.

Only four years later, a surprisingly short time by the standards of the day, he left with a prize of francs for solo playing. Bottesini died in Parma on 7 July During these years he diversified the toils of conducting by repeated concert tours through Europe. This page was last edited on 21 Decemberat February Learn how and when to remove this template message. The Testore bass was later converted back to a four-stringed instrument, and then to a three.

It was built by Carlo Antonio Testore in In and he conducted in Palermo, taramtella the production of his opera Marion Delorme inand in in Barcelona. From Wikipedia, the free encyclopedia.

It nearly met its end in the s as it sat backstage in a marionette theater in Milan. He studied violin with Carlo Cogliati, and probably would have continued on this instrument except for a unique turn of events.


After this he made frequent visits to England, and his extraordinary command of his unwieldy instrument gained him great popularity in London and the provinces. Bottesini was also one of the first performers to adopt the French-style bow grip for the double bass.


His solo works remain standard repertoire for accomplished double bassists to this day. Born in Crema, Lombardyhe was taught the rudiments of music by his father, an accomplished clarinetist and composer, at a young age and had played timpani in Crema with the Teatro Sociale before the age of eleven. This article includes a list of referencesrelated reading or external linksbut its sources remain unclear because it lacks inline citations. Please help to improve this article by introducing more precise citations.

When conducting opera, Bottesini would frequently bring his double bass on stage during the intermission to play fantasies on the evening’s opera. On leaving Milan, he spent some time in America and also occupied the position of principal double-bass in the Italian opera at Havana, where taranetlla later became director.

Tarantella (Bottesini, Giovanni) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

At the bottesinl, he studied with Luigi Rossi, to whom he would later dedicate his Tre grandi duetti per contrabasso. Most notably there are many virtuoso bass players who draw inspiration from the early renaissance of the double bass. Bottesini’s bass was said to be a unique instrument with a remarkable sound. Wikimedia Commons has media related to Giovanni Bottesini.


Retrieved from ” https: He prepared a successful audition for the double bass scholarship in a matter of weeks.

Only two positions were available: His fantasies on Lucia di LammermoorI puritani and Beatrice di Tenda are virtuosic tours de force that are still popular with those who are highly accomplished on the instrument. He also wrote The Garden of Oliveta devotional oratorio libretto by Joseph Bennettwhich was produced at the Norwich festival ineleven string quartets, a quintet for string quartet and double bass, and many works for the double bass, including two concertos for solo double bass, the Gran Duo Concertante originally for two double basses, Passione Amorosa for two double basses, and numerous pieces for double bass and piano.

By using this site, you agree to the Terms of Use and Privacy Policy. Because of the contributions of Bottesini along with those of Sperger and Dragonetti to bass technique, many have come to view the double bass as a diverse and versatile instrument. Here his first opera, Cristoforo Colombowas produced in His father sought a place for him in the Milan Conservatorybut due to the Bottesini family’s lack of money, Bottesini needed a scholarship.