Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. By Kent Kennan. Trumpet Part(s). A B-Flat Cornet (Trumpet) solo with piano accompaniment composed by Kent Kennan. This title is available in SmartMusic. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. A great and Piano. Kent Kennan – Alfred Publishing Co., Inc.
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He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara The return of the first theme is very similar to the first time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden This melody has some occurrences of the main motive that begins the first movement: All of the themes from the exposition are written in the recapitulation Dearden Create a free website or blog at WordPress.
The piano part during this kenann theme is mostly comprised trumept chords that are moving in patterns that are traditional chord progressions Dearden The Recapitulation All of the themes from the exposition are written in the recapitulation Dearden Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and educational writing.
This piece is difficult in many ways.
None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden The first theme is played by the trumpet and is muted Dearden Even though the melody sounds like D minor, there is no F of any kind to confirm whether it is major or minor. Most of it is trum;et exact restatement of kennnan exposition, but transposed up a half step Dearden The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden In the trukpet measure, the three pitches begin with a leap down by a perfect fifth, then a whole step Dearden You are commenting using your Facebook account.
The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden When the second theme is restated, it is down a half step as well and shortened a little bit Dearden Leave a Reply Cancel reply Enter your comment here His compositions include works for orchestrachamber ensemble and solo instrument as well as songs and choral music.
He was the half brother of the diplomat and historian George F.
Kent Kennan – Wikipedia
The Trympet The development begins after a short transition from the exposition Dearden Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden From Wikipedia, the free encyclopedia.
This article on a United States composer born in the 20th century is a stub.
The development begins after a short transition from the exposition Dearden The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden By continuing to use this website, you agree to their use.
The main motive that was introduced in the first movement appears frequently in this theme Dearden Kenban material in the coda moves from A-flat, to F, then to D-flat, and ending in B-flat for the cadence that ends the trumppet Dearden The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden This page was last edited on 8 Novemberat This motive will be repeated in many different ways throughout the course of the entire piece Dearden This entry was posted on Thursday, April 30th, at 3: Views Read Edit View history.
The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Rondo form, causing them to both have the same overall structure as well McNamara Dearden, Jennifer Lorien You are commenting using your WordPress.